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No Country for Old Men is a 2007 American neo-Western crime thriller film written and directed by Joel and Ethan Coen, based on Cormac McCarthy's 2005 novel of the same name.[1] Starring Tommy Lee Jones, Javier Bardem, and Josh Brolin, the film is set in the desert landscape of 1980 West Texas.[2] The film revisits the themes of fate, conscience, and circumstance that the Coen brothers had explored in the films Blood Simple (1984), Raising Arizona (1987), and Fargo (1996).[3] The film follows three main characters: Llewelyn Moss (Brolin), a Vietnam War veteran and welder who stumbles upon a large sum of money in the desert; Anton Chigurh (Bardem), a hitman who is tasked with recovering the money; and Ed Tom Bell (Jones), a local sheriff investigating the crime. The film also stars Kelly Macdonald as Moss's wife Carla Jean, and Woody Harrelson as a bounty hunter seeking Moss and the return of the $2 million.

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No Country for Old Men premiered in competition at the 2007 Cannes Film Festival on May 19.[4] The film became a commercial success, grossing $171 million worldwide against the budget of $25 million. Critics praised the Coens' direction and screenplay and Bardem's performance, and the film won 76 awards from 109 nominations from multiple organizations; it won four awards at the 80th Academy Awards (including Best Picture), three British Academy Film Awards (BAFTAs), and two Golden Globes.[5] The American Film Institute listed it as an AFI Movie of the Year,[6] and the National Board of Review selected it as the best of 2007.[7]

More critics included No Country for Old Men on their 2007 top ten lists than any other film,[8] and many regard it as the Coen brothers' best film.[9][10][11][12] As of December 2021, various sources had recognized it as one of the best films of its decade,[13][14][15] and as one of the best films of the 21st century.[16][17][18] The Guardian's John Patterson wrote: "the Coens' technical abilities, and their feel for a landscape-based Western classicism reminiscent of Anthony Mann and Sam Peckinpah, are matched by few living directors",[19] and Peter Travers of Rolling Stone said that it is "a new career peak for the Coen brothers" and "as entertaining as hell".

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